Millions of Africans are using mobile phones to pay bills, move cash and buy basic everyday items. So why has a form of banking that has proved a dead duck in the West been such a hit across the continent?

It has been estimated that there are a billion people around the world who lack a bank account but own a mobile.

Africa has the fastest-growing mobile phone market in the world and most of the operators are local firms.

In countries like South Africa, for example, mobile phones outnumber fixed lines by eight to one.

In Kenya there were just 15,000 handsets in use a decade ago. Now that number tops 15 million.

Setting up a bank account on your phone is straightforward. All you do is register with an approved agent, provide your phone, along with an ID card, and then deposit some cash onto your account.

You can use it to pay for everything from beer to cattle – one Masai farmer told the BBC that when he sells cows in Nairobi, he puts the money on his phone to ensure that robbers can’t get his cash.

A Kenyan woman said she uses the technology to transfer money from her phone to that of her parents while a Nairobi businessman told us it was handy for settling customer accounts.

Large volumes, small transactions

In Tanzania just 5% of the population have bank accounts. In Ethiopia there is one bank for every 100,000 people.

Even Africans with bank accounts often face high charges for moving their cash around. It is this gap in the market that mobile phone banking is targeting.

While the amounts of cash being transferred are often tiny, the sheer volume of business compensates for that, as Pauline Vaughan, head of Kenya’s biggest mobile phone banking service M-Pesa, explains.

“We have over seven million customers who have registered for M-Pesa…. Our average transaction is actually less than $40 [£24] – this is the kind of customer we are addressing,” she says.

“But in total we are moving in excess of $8.5m per day.”

The Safaricom mobile money transaction MPESA

‘Cherry-picking’

However, the mobile phone revolution continues to leave large parts of the continent behind.

While countries like Kenya, South Africa and much of North Africa are approaching 100% mobile penetration, in Burundi, the Central African Republic, Eritrea, and Rwanda it is less than 30%.

Low incomes, illiteracy and large signal black spots are all obstacles to the sale and use of mobile phones. Taxes, which can be as high as 30% in countries like Tanzania and Uganda, are also a disincentive.

Telecoms experts say that many African markets remain too risky for mobile phone companies, which have targeted more stable and wealthy countries first.

“What we have seen is cherry-picking in markets like South Africa and much of Francophone North Africa,” says Nigel Hawkins, an independent industry analyst.

“There are concerns [in other countries] about the cost of building infrastructure; there are worries about the non-payment of debt and unstable governments.”

Mobile banking

Expansion

Mobile phone banking is, however, attracting charitable backing. The Bill and Melinda Gates Foundation plans to put $12.5m into a programme to extend services to the poor.

But those companies with a firm foothold in their home markets are increasingly looking to expand.

With the market in Kenya largely sewn up, M-Pesa is now eyeing neighbouring Tanzania and even Afghanistan.

South Africa’s MTN recently announced plans for a fully-fledged bank account on mobile phones, with an optional credit card.

The service will be extended to the 20 countries where MTN operates, including Uganda, Nigeria, Cameroon and Ivory Coast, which combined have over 90 million mobile phone users.

IPAD?

Posted: July 23, 2010 in Uncategorized

Mac C.E.O Steve Jobbs with the new IPAD

The technology media have gone crazy with the last device in Steve Jobs, and it seems that the world of technology has been arrested in recent days to turn around this new gadget.

I, however do not share the general excitement that is felt by the IPAD. Why? Basically because I do not bring anything new to the market.

iFixit recently hired an engineering firm to investigate the secrets of A4 chip is at the heart of Apple’s tablet , and prove and some showed what we suspected: The IPAD esmas not a giant iPod Touch. When you open the A4 was found to contain a Cortex A8 core, the same as the latest generation of iPod Touch and a GPU unidentified but apparently would be a PowerVR SGX 535, the same as using the iPhone 3G.

That is, what Apple is selling an iPod Touch with a bigger screen and a giant battery.

But more importantly is the fact that the software still has the same limitations. Apple still has the power to decide that you can install or not, and the ability to remotely disable applications. The IPAD is still unable to run Flash. Users of this tablet are still tied to a single browser, like it or not.

It is true that some of these limitations can be solved in one way or another, especially through HTML5, but while that standard finish not defined (there is still a great battle on the video codec used) and adoption increases (which can not happen while the bulk of Internet users use Internet Explorer 6 and 7), the IPAD is doomed to live confined in a corral that Apple will build it. And above all these limitations is the price, which is almost twice the netbook, which has better specifications and less limits.

Perhaps the only interesting thing has come out of the announcement and release of IPAD is a revitalization of the tablet format. HP and Slate announced that Windows 7 will use a specially adapted to the touch interface. This new look given to the touch camputación force companies to innovate to differentiate themselves, as it is doing with Adam Notion Ink , a display tablet that will use a hybrid that can function as LCD or e-Ink, adapting to the needs the user.

Chinese Dragon Dance Culture

Posted: July 23, 2010 in Uncategorized

One of the highlights of the Chinese New Year celebration is the spectacular Dragon Dance. It’s history goes back to the Han Dynasty (180 – 230 CE) in ancient China. The Chinese have always perceived the dragon as being sacred and possessing power, courage, righteousness, dignity, fertility, wisdom, and auspiciousness.

Chinese New Year Dance

Dragon dance

Chinese New Year festivities celebrate the outset of the planting season in China. The dragon represents rain and good fortune, elements crucial for the agricultural crops. This mythical beast takes the physical form of many animals; it has the horns of a stag, the ears of a bull, the eyes of a rabbit, the claws of a tiger, and the scales of a fish distributed along the body of a long serpent. It was believed these combined traits allowed the creature to walk on land, fly through the heavens, and swim through the waters. These powers gives the dragon the authority to rule the clouds and to control the rain.

The Dragon Dance requires the coordinated efforts of a team of dancers who come from martial arts groups. The dragon consists of a head mask and a lengthy body which is held up with poles and transported by the dancers. The lead dancer holding the dragon’s head has an extremely important job. He or she makes the dragon twist, leap, crouch, and dip, as sinuous as a snake.

The dragon mask itself, usually colored red, green, or gold, is gorgeous and very complex in design. Sometimes the head has animation and pyrotechnics that belch smoke. The number of body sections can vary, sometimes using as many as 25 sections divided by hoops of bamboo. The longer the dragon, the more good fortune.

The dragon is difficult to manipulate and requires well-trained dancers in top physical condition. The creature moves in precise patterns to the music provided by drums, cymbals, and a gong. Onlookers throw firecrackers at the dancing dragon’s feet to scare away any evil spirits and also to assure the beast is fully awake from its hibernation.

The color green on the dragon stands for an extraordinary harvest, yellow is for the solemn empire, prosperity is represented by gold or silver, red is excitement, and the dragon’s scales and tail are a shimmering silver symbolizing joy.

At times, at larger celebrations, a spectator might see a Double Dragon Dance where two groups of dancers intertwine their dragons in intricate patterns. A truly rare performance involves nine dragons (Kawlung) because nine is a perfect number. However, such performances necessitate the coordinated efforts of several dance troupe.

Hopefully, visitors to Chinatown will have the opportunity to observe the breathtaking, astounding Dragon Dance.